The Guardian Review

[porschesrule]

The review of the Curve's BETM production gives it...you guessed it... 5 stars.

Where Stephen Daldry’s original production, which ran for 11 years, felt like Billy Elliot the Musical – with a capital Musical – [Director Nikolai] Foster’s new version is more like a play with dance and songs. Lee Hall’s script is given plenty of room to breathe and rings with ideas around love and loss, community and isolation, passion and violence. The result is a musical of unusual depth that distils Hall’s play to its essence but also feels nuanced and truthful.

https://www.theguardian.com/stage/2022/ ... gdnculture