atreyu wrote:
A little different take on George tonight with Joel Newsome (normally Mr. Wilkinson) playing the role. This George doesn't go over the top. "Sorry, Billy? Sorry, Billy?!?" does not need to be delivered in an infantile manner and "you great fat f**ny" doesn't need a silly gesture. The jokes work perfectly well on their own without "enhancement". George's final scene congratulating the bonny lad, however, was not a good adjustment this night. After Billy blocks the hit to the head, George should not merely do another boxing move, he needs to do a dance move. Joel Blum's routine works quite well there..
OMG, thank you! The guy who played George in Boston drove me crazy with his over the top mugging. This is not kiddie theater where you have to be 'silly" to keep the kiddies entertained. The way he screeched the second "Sorry Billy?!" always made me whince. And the his motions with "Big fat f**ny" were so unnesessary.
But there are other lines from Billy and Michael that would be more effective if they were toned down. For example, Michael's "Well, I'd miss ya." is always delivered too loud and too fast. I would much rather have a quiter softer moment there. And then when Billy says good-bye to Mrs. Wilkinson his "I'll miss ya, Miss!" is always shouted as Billy races awkwardly towards Mrs. Wilkinson. I would direct the Billy to go to the door, place his hand on the door as if he were going to open it, and, without turning around, have him say "I'll miss ya, Miss" softly right to the door, wihtout turning around. However, these are directing choices not acting choices. The boys have been DIRECTED to play those scenes that way. Thus the fact that those lines are always delivered the same way, regardless of who is playing the role. The actor playing George has not been directed to be over the top, that is an acting choice he is making, and it isn't necessary. The character is funny without the shameless hamming.