Re: March 2015 Reviews - London
Posted: Mon Apr 06, 2015 11:43 pm
Hi Pat-
I agree about those seats in 'the heavens'. They give quite a different perspective to the show that the denizens of Row BB might not encounter. I agree that the sound is very good - perhaps because one is not so close to the two speaker towers either side of the stage. Catching the odd glimpse of goings-on behind the scenes is fun. The upstairs bar is probably the least crowded at half time, and the loos are not as busy. And the posters are definitely worth seeing - a potted history of this venerable theatre. Arthur Askey? Those were the days!
I also agree about the seats. I am not tall, but I could hardly squeeze my knees into the space. I would recommend an end of row. Because the entire stage is visible, more or less, where you sit up there is not an issue. Any seat is fine.
I do recall that the highest spins in Dream Ballet are not visible from some seats up there! But you see every tap and every pirouette!
I agree about those seats in 'the heavens'. They give quite a different perspective to the show that the denizens of Row BB might not encounter. I agree that the sound is very good - perhaps because one is not so close to the two speaker towers either side of the stage. Catching the odd glimpse of goings-on behind the scenes is fun. The upstairs bar is probably the least crowded at half time, and the loos are not as busy. And the posters are definitely worth seeing - a potted history of this venerable theatre. Arthur Askey? Those were the days!
I also agree about the seats. I am not tall, but I could hardly squeeze my knees into the space. I would recommend an end of row. Because the entire stage is visible, more or less, where you sit up there is not an issue. Any seat is fine.
I do recall that the highest spins in Dream Ballet are not visible from some seats up there! But you see every tap and every pirouette!