Re: Southampton Reviews
Posted: Mon Mar 06, 2017 11:46 pm
( With apologies for the lateness of these few words)
It was on Wednesday 22 February that I took my only journey down to Southampton to see the Billy Tour in that City. The show saw Haydn in the part on Billy and Samuel as Michael. This was, in fact, the third time I had seen Haydn and once more he gave a thoroughly professional performance throughout, even if his voice was a little on the 'thin' side at times. ( I had difficulty in hearing everything he said and I was in the Front stalls).
Both in Dream Ballet and in Electricity Haydn showed timing to perfection and he also had time to show the audience his skipping skills which contained several crossovers, the like of which i haven't seen since the days of Ryan and Harrison at the VPT. Unfortunately ( or fortunately, as the case may be) there was no skipping rope available for use by Mr Braithwaite. The diminuative Samuel was his usual impish self and he seemed to forge a good partnership with Haydn during Expressing Yourself and in the Winter scene.
For me, the adult cast, including an alternate George, were competent enough , but no more than that. To be honest, their lack of 'feeling' left me rather cold. Maybe this is due to the Tour production having been diluted somewhat from the one I was used to seeing at the VPT.
However, without a doubt, the evening belonged to Haydn, who fully deserved his standing ovation, from yours truly and a few others. My opinion of parts of the Tour show maybe different to others, but there we are.
It was on Wednesday 22 February that I took my only journey down to Southampton to see the Billy Tour in that City. The show saw Haydn in the part on Billy and Samuel as Michael. This was, in fact, the third time I had seen Haydn and once more he gave a thoroughly professional performance throughout, even if his voice was a little on the 'thin' side at times. ( I had difficulty in hearing everything he said and I was in the Front stalls).
Both in Dream Ballet and in Electricity Haydn showed timing to perfection and he also had time to show the audience his skipping skills which contained several crossovers, the like of which i haven't seen since the days of Ryan and Harrison at the VPT. Unfortunately ( or fortunately, as the case may be) there was no skipping rope available for use by Mr Braithwaite. The diminuative Samuel was his usual impish self and he seemed to forge a good partnership with Haydn during Expressing Yourself and in the Winter scene.
For me, the adult cast, including an alternate George, were competent enough , but no more than that. To be honest, their lack of 'feeling' left me rather cold. Maybe this is due to the Tour production having been diluted somewhat from the one I was used to seeing at the VPT.
However, without a doubt, the evening belonged to Haydn, who fully deserved his standing ovation, from yours truly and a few others. My opinion of parts of the Tour show maybe different to others, but there we are.